Adriaen van der werff
Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics

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Adriaen van der werff Young shepherd embracing a shepherdess. oil painting


Young shepherd embracing a shepherdess.
Date c. 1690(1690) Medium Oil on canvas Dimensions Height: 46 cm (18.1 in). Width: 38 cm (15 in). cjr
Painting ID::  86476
Adriaen van der werff
Young shepherd embracing a shepherdess.
Date c. 1690(1690) Medium Oil on canvas Dimensions Height: 46 cm (18.1 in). Width: 38 cm (15 in). cjr
   
   
     

Adriaen van der werff Sarah Bringing Hagar to Abraham oil painting


Sarah Bringing Hagar to Abraham
1696(1696) Medium Oil on canvas Dimensions Height: 86 cm (33.9 in). Width: 68.5 cm (27 in). cyf
Painting ID::  87693
Adriaen van der werff
Sarah Bringing Hagar to Abraham
1696(1696) Medium Oil on canvas Dimensions Height: 86 cm (33.9 in). Width: 68.5 cm (27 in). cyf
   
   
     

Adriaen van der werff Sarah presenting Hagar to Abraham oil painting


Sarah presenting Hagar to Abraham
1699(1699) Medium Oil on canvas cyf
Painting ID::  88597
Adriaen van der werff
Sarah presenting Hagar to Abraham
1699(1699) Medium Oil on canvas cyf
   
   
     

Adriaen van der werff Hedwig Elisabeth Pfalzgrafin bei Rhein zu Neuburg, Prinzessin von Polen. oil painting


Hedwig Elisabeth Pfalzgrafin bei Rhein zu Neuburg, Prinzessin von Polen.
1696 Medium oil on canvas cjr
Painting ID::  90232
Adriaen van der werff
Hedwig Elisabeth Pfalzgrafin bei Rhein zu Neuburg, Prinzessin von Polen.
1696 Medium oil on canvas cjr
   
   
     

Adriaen van der werff Self-portrait oil painting


Self-portrait
1696(1696) Medium oil on panel Dimensions Height: 38.5 cm (15.2 in). Width: 29 cm (11.4 in). cyf
Painting ID::  91042
Adriaen van der werff
Self-portrait
1696(1696) Medium oil on panel Dimensions Height: 38.5 cm (15.2 in). Width: 29 cm (11.4 in). cyf
   
   
     

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     Adriaen van der werff
     Dutch Baroque Era Painter, 1659-1722 Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics

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